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Ayşe returns to her hometown in northeastern Turkey to nurse her gravely ill mother. Before she dies, Ayse’s mother tells her that she will leave Ayse her much loved bee hives to manage. Ayse’s modern life has moved her away from the mountains of her childhood – a life in which the bees and their honey were central. But she puts her city life on hold to manage the bees, which provide a distraction from her grief. Ayse slowly starts to work with the local bee keeper to manage the hives but finds the lessons of her childhood are buried deep and the hives are more difficult to manage than she remembers. Ayse’s failure to pay needful attention to local advice sees her mothers bee hives seriously damaged, if not lost forever. What’s more a Caucasian bear becomes a real threat to her hives and her life.
Ancient Korea, 17th century. The powerful Khan of the Jurchen tribe of Manchuria, who fights the Ming dinasty to gain China, becomes the first ruler of the Qing dinasty and demands from King In-jo of Joseon to bow before him; but he refuses, being loyal to the Mings. On December 14th, 1636, the Qing horde invades Joseon, so King In-jo and his court shelter in the mountain fortress of Namhan and prepare to defend the kingdom.
Upon turning eight-teen, Salih leaves the orphanage to find his lost family and begins working in a Serbian farm. Suddenly, at the most unexpected moment he has found a home. Will he ever be able to let go of the ghosts of his past and be happy in this new life? As tension escalates disquieting secrets surface. A gripping tale of family, love and identity, My Mother's Wound follows Salih as he searches for a trail of hope amongst war-torn lives.
Having died unexpectedly, firefighter Ja-hong is taken to the afterlife by 3 afterlife guardians. Only when he passes 7 trials over 49 days and proves he was innocent in human life, he’s able to reincarnate, and his 3 afterlife guardians are by his side to defend him in trial.
A young Palestinian schoolteacher gives birth to her son in an Israeli prison where she fights to protect him, survive and maintain hope.
Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut's "belt of misery," the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When these children are given video cameras, the story of the camp evolves from their personal narratives as they articulate the feelings and hopes of their generation.
“Darling, Something's Wrong with Your Head＂ a story of forbidden love, is the first fiction feature set in Gaza in over 15 years. The film is a modern re-telling of the legendary tragic romance 'Majnun Layla', which was set in seventh century Arabia, when a poet named Qays fell in love with Layla. Driven by the intensity of his passion, Qays was known as 'Majnun Layla', which translates as 'madman for Layla'. In the contemporary setting, two students in the West Bank are forced to return home to Gaza, where their love defies tradition. To reach his lover, Qays graffiti's poetry across town.
