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Awara Paagal Deewana ((Hindi: आवारा पागल दीवाना), English: Wayward, Crazy, Insane) is a 2002 Bollywood action comedy directed by Vikram Bhatt. The film's music was composed by Anu Malik, and the lyrics by Sameer. Reduced to a henpecked husband, his dream of making it big and being independent in the USA, Dr. Anmol Acharya is, in short, disillusioned and sad. He is not alone, he has his father-in-law, Manilal in the same leaky boat with him. Then this family has a new neighbor, namely Gulu Gulab Khatri. They find out that he a crime lord from India, and has a price-tag of two crore rupees on his head. Anmol and Manilal's wife want their respective husbands to go to India and arrange to hand-over Khatri, so they can collect the dough. Anmol and Manilal do go to India, but things don't go well as planned, and the hapless duo end up as hostages by Chota Chatri and Yeda Anna, who have orders to kill Khatri, and anyone else who gets in their way.
When his brother becomes involved in a deadly bank robbery, a heartbroken cop vows to track down and retrieve his wayward sibling -- dead or alive.
Prem and Nisha meet and fall in love at the wedding of their elder siblings, but their plans to be together are put in jeopardy when Nisha's sister dies, leaving behind a baby.
Born in British India, Bhagat Singh witnesses numerous atrocities during his childhood and grows up to become one of the most fearless freedom fighters in the country.
The film follows Victor, a Lower East Side teenager, as he deals with his eccentric family, including his strict grandmother, his bratty sister, and a younger brother who completely idolizes him. Along the way he tries to win the affections of Judy, who is very careful and calculating when it comes to how she deals with men.
Two slackers competing for the affections of an heiress inadvertently become her protectors from an evil criminal.
Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, Ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.
A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they are abducted by the terrorist group known as the Tamil Tigers.
A video camcorder, a store security camera, and concealed cameras candidly expose lives in three loosely linked tales.
Chronicle of a Disappearance unfolds in a series of seemingly unconnected cinematic tableaux, each of them focused on incidents or characters which seldom reappear later in the film. Among the many unrelated scenes, there is a Palestinian actress struggling to find an apartment in West Jerusalem, the owner of the Holy Land souvenir shop preparing merchandise for incoming Japanese tourists, a group of old women gossiping about their relatives, and an Israeli police van which screeches to a halt so several heavily armed soldiers can get off the car and urinate.
Roop and his father come to the city for medical treatment where Reshma falls in love with Roop. However, Roop loves Pooja but when Reshma threatens to kill herself, Roop agrees to marry her.
A divorced husband desperately misses his daughter. In order to be with her, he takes up a job in his father-in-law's house. The only catch is that the job is that of a female governess.
Vikram Mayur is looking after his late brother's eight-year-old son and is torn between choosing to take Nandu back to England to learn his family's business, or risk throwing it all way.
After young Kirra leaves her Australian home to summer with her grandfather in South Africa, she soon discovers a baby orca stranded in the lagoon near her grandfather’s rundown seaside amusement park. She names the lonely whale Willy--and embarks on a great quest to lead the little guy back to his anxious pod.
Esra, Didem ve Zeynep çok yakın arkadaş olmalarına rağmen birbirinden farklı hayatlar sürdüren farklı karakterlere sahip üç kişidir. Sessiz sakin olan Esra, deli dolu olan� Didem ve dominant karaktere sahip olan Zeynep.. Bu üç arkadaştan istikrarlı olarak ilişkisini sürdürebilmiş olan Zeynep'in düğünü hem Esra'nın hem de Didem'in hayatında değişik süprizlere neden olacaktır. İstemediği bir işte yıllardır çalışan Esra bir cesaret örneği göstererek, hayatını değiştirmeye karar verir. Bunun için ilk adımı atar ve işinden istifa eder, kötü giden ilişkisini sona erdirir. Uzun iş aramalarından sonra zar zor iş bulduğu reklam ajansına çalışmaya başlayana Esra'yı bir sürpriz bekliyordur.
Havaldar Ratan is a rookie at the local police station, and is assigned duty on foot patrol on Manoranjan Street, a notorious red-light area, on the very first day of his job. He strikes up a conversation with a good-looking young woman named Nisha, and tells her that there is a possible violation of Suppression of Immoral Trafficking Act taking place on this street. He witnesses several women soliciting men, and decides to call in the paddy wagon, and get them arrested. Alas, one of the men frequenting the prostitutes is none other than Ratan's superior officer, who immediately summons Ratan, and has him removed from service on corruption charges. Nisha takes pity on a homeless and unemployed Ratan, and asks him to live with her. He does not want her to sell her body, and so he decides to work at night, and during the day he takes on the guise of a rich Nawab and spends time with her.
Experience veteran comedian Sinbad as he returns to his college town of Denver and performs at the Paramount Theatre for this next installment of his famed HBO Comedy Specials. Sinbad: Son of a Preacher Man is a self-styled monologue that comments on the perils of skiing, para-sailing during a bad vacation, fashion trends in lingerie, and more!
In this unique and dynamic live concert experience, Louis C.K.'s exploration of life after 40 destroys politically correct images of modern life with thoughts we have all had...but would rarely admit to.
An honest cop has to compromise with his principles when he is told to find a scapegoat for a high-profile serial killer case in exchange for a big promotion.